Pulsar Modular - Plugins Collection

350.00฿

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors.

Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

Abyss casts physically imposed rules and constraints completely aside, allowing it to masterfully exhibit any characteristic that is desired. Aggressive, punchy, smooth, open, breathy, dense, clean, dirty… it’s all here at your fingertips. Abyss fulfills the dream of having a direct connection with the audio without being mired in technicalities.

Dive in and experience the infinite colors, hues and characters Abyss beautifully draws out of your audio. It is very much designed to be equally at home on individual tracks and instruments, group buses, returns and main buses. It is designed to fulfill all mixing, stem and stereo mastering needs.

ผู้พัฒนา: Pulsar Modular

ใช้งานได้กับระบบปฏิบัติการ:Windows, Mac

หมวดหมู่:Mixing & Mastering

Pulsar Modular - Plugins Collection

Description

Including:

P11 ABYSS Audio Compressor

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors.
Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
Abyss casts physically imposed rules and constraints completely aside, allowing it to masterfully exhibit any characteristic that is desired. Aggressive, punchy, smooth, open, breathy, dense, clean, dirty… it’s all here at your fingertips. Abyss fulfills the dream of having a direct connection with the audio without being mired in technicalities.
Dive in and experience the infinite colors, hues and characters Abyss beautifully draws out of your audio. It is very much designed to be equally at home on individual tracks and instruments, group buses, returns and main buses. It is designed to fulfill all mixing, stem and stereo mastering needs.
https://www.pulsarmodular.com/product/p11-abyss/

P42 Climax MOD

Pulsar Modular P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with multiple pro-grade audio hardware units. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable!
P42 Climax is a chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain, making it an essential tool to most Mastering engineers around the world.
https://www.pulsarmodular.com/product/p42-climax-line-amp/

Lunar Lander- BBD Delay, Plate Reverb plug-in

Breathtaking bucket-brigade Device (BBD) analog delay, plate reverbs (3 sizes) and Class A and Class A/B saturation emulation plugin. Easy to use 3-in-1 combo guitar-like pedal.
We all know the delicate tweaks needed to get a sound to “sit” in the mix. The name of this plugin, Lunar Lander, came about from the easiness of getting this task done.
Primarily designed for guitarists or to tame your aggressive analog synthesizers to sit in the mix, but you will find it working well with just about any other sound source. Put it on your plastic sounding soft synth, and crank the saturation up, and transform your Chihuahua synth to a Dobermann Synth 🙂
Try Tap Tempo your bpm and crank up the regenerate knob on the BBD Delay Module and get the track grooving. You can switch the signal path to go first through either the BBD Delay or Plate Reverb.
Try Lunar Lander on Bass Guitar and get that larger than life sound. Do you want that 80s soaking reverb sound? Switch to Plate 3 and you are there in a second.
https://www.pulsarmodular.com/product/lunar-lander/

P914 FFB

At a time when Bob Moog and others were pioneering the concept of voltage control for oscillators, filters, amplifiers, and more, Bob Moog again broke the mold and conceived a fixed filter bank; no voltage control! This was not an equalizer although it had certain visual characteristics of one. No, the intent of the FFB was to enhance the primary signal, adding harmonics at specific frequencies or removing them at others. This was a time when musicians and engineers were struggling to come to terms with the new synthesizers charging across the music industry and how to employ them in the composing and performing world. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both. Enter the Moog Fixed Filter Bank. A filter which helped composers and performers by allowing them to add subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument which has inherent natural, resonant modes due to construction and design. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures. It’s a wonderful module and addition to any musical composition whether traditional or on the edge.
Of course, musicians are not going to confine their creativity to an intended use! This filter opens up amazing sonic vistas by adding a unique emphasis and bite to a signal. This results in an effect that goes beyond a basic equalizer by adding or subtracting harmonic content to a signal at specific points in the frequency spectrum.
This plug-in of course started with the genius and vision of Bob Moog. The next stage came with the resurgence of analog modular synthesizers and those who were resurrecting the great modules of the past and developing new modules for the future. Several clones of the 914 were being introduced primarily based on active filter design structures. The original structure of the 914, using simple inductors, capacitors, and resistors for the filter cells, has subtle interactions which become lost in the sterile world of semiconductors. These recent efforts were valiant and produced clones worthy of admiration. However, a design based on The original structure was begging to be pursued. A source for inductors was found, the schematics were scrutinized, errors in the schematics from copying were weeded out, circuit boards were designed, and the result was an extremely accurate and faithful copy of the original response as published by Moog in their original owner’s manual, see the 914 FFB page at http://moogarchives.com/.
With a solid hardware version in hand, a software model could begin. Careful characterization and measurement of the hardware, along with a software model keeping the unique structure of the Moog FFB with its two stage design, has resulted in a software model that faithfully matches and follows that of the original. Adding some extra features, such as being able to direct the output of each cell to either the left or right channel, opens up additional possibilities that add to the charm, utility, and character of the filter.
The Pulsar 914 is simply put, a meticulous, spot-on implementation of the Inductor 914 Fixed Filter Bank.
https://www.pulsarmodular.com/product/fixed-filter-bank/