Submission Audio - UmanskyBass

350.00฿

An immaculate virtual model of the premium Dingwall Z3X bass guitar, sampled by Intervals’ Jacob Umansky.

The Z3X represents the pinnacle of Dingwall basses - often selling for close to $10,000 USD. 

Encapsulating the sound of his now-famous black & white custom shop Z3X, modern progressive bass prodigy Jacob Umansky (Intervals) painstakingly sampled every nuance of his distinctive style to create UmanskyBass.

ผู้พัฒนา: SubMission Audio

ใช้งานได้กับระบบปฏิบัติการ:Windows, Mac

หมวดหมู่:Bass

Submission Audio - UmanskyBass

Description

This fingerstyle library is powered by our next generation truBass technology, and loaded with all the articulations you need to recreate immensely intricate bass lines - even including thumping.

An astoundingly forward-looking bass design, the Z3X, even without processing, sounds like a finished bass tone. Aided by Jacob’s sublime expert touch, this is one of our easiest virtual basses to work with. 

For those times you squarely want the bass to sit alongside the guitars and make its presence known, UmanskyBass is the ideal solution.

TONES

Our design ethos behind UmanskyBass is to channel Jacob’s distinctive sound as authentically as possible. As a result, we include 4 tones, heavily based on his studio tones with Intervals:

The raw sound of the instrument, captured directly via high end, studio-grade recording hardware. Process as you would any other bass - using your favourite plugins, pedals or amps. This allows ultimate flexibility; mix the bass on your own terms.

 

This is ‘the’ Jacob Umansky tone you know and love. Whether you’ve heard one of his many playthroughs on Instagram, or are familiar with his work on assorted albums as either a member or session bassist, the CLN sound will get you that unmistakable Z3X piano-esque tone.

You won’t believe that depth and clarity like this can coexist in a singular tone.

Like CLN, but extra. We maintain the same lovely, distinctive spectral balance which defines Jacob’s sound, and increase the gain range so that you can really make the bass spank.

 

Based on Jacob’s studio tones, this fuzzy mid-heavy sound replicates one of the auxiliary tones Jacob uses to create interesting textures in certain parts of his music.

In our usual style, all three tones are premixed for your convenience - so you can get straight to the art of being creative.

The Drive, Tone, Compression and Girth controls further allow you to perfectly match the bass to your music.